Of Monsters and Beasts: Review of Frost Burned by Patricia Briggs (Spoiler Free)

Frost Burned (Mercy Thompson #7)

Author: Patricia Briggs

Frost Burned by Patricia Briggs, 2013 Ace Fantasy

Frost Burned by Patricia Briggs, 2013 Ace Fantasy

Publisher: Ace Fantasy

Year: 2013

Pages: 340

Rating: 5 out of 5

Forward: This is the 7th entry is a series. If you have not read the others and don’t wish to have any sort of up-to-this-point spoilers, I am going to lay this out for you right now: If you like Urban fantasy, want to read an engaging and well written series, start with Moon Called, the first entry under the Mercy Thompson books. You will enjoy it, I guarantee.

Book Cover Summary: Mercy’s life has undergone a seismic change. Becoming the mate of Adam Hauptman – the charismatic Alpha of the local werewolf pack – has made her a stepmother to his daughter, Jesse, a relationship that brings moments of blissful normalcy to Mercy’s life. But on the edges of humanity, what passes for a minor mishap on an ordinary day can turn into so much more . . .

After a car accident in bumper-to-bumper traffic, Mercy and Jesse can’t reach Adam – or anyone else in the pack, for that matter. They’ve all been abducted.

Through their mating bond, all Mercy knows is that Adam is angry and in pain. But she fears Adam’s disappearance may be related to the political battle the werewolves have been fighting to gain acceptance from the public – and that he and the pack are in serious danger. Outmatched and on her own Mercy may be forced to seek assistance from any ally she can get, no matter how unlikely.

REVIEW

Mercy Thompson, our wise cracking bad-lucked heroine, comes through in yet another instalment of Briggs’ widely liked series. The reader is re-acquainted with old friends, and enemies, and exposed to a whole new set of problems which further complicate her usually bumpy life. The daughter of Coyote is always finding herself in one sticky situation or another, and yet each time it seems fresh and beckons the reader to keep turning the pages, even into the wee hours of the morning.

Briggs’ provides equal measure between all four worlds she includes, meaning that the Fae, werewolves, vampires, and even the odd human fall into the tangled web. Brigg’s masterful way of working together first person insight and external characters is brought to the forefront, and she does not skip a beat of action, emotion, or darkness. As with the latest entry in the Alpha and Omega series, Fair Game, Briggs’ has added a darker twist to the story she presents her readers, looking not only at the preternatural dangers, but placing more weight on the danger posed by the ordinary mortal humans. Could this be a new spin, a new direction, that she is going to pursue? A solidarity between those things which go bump in the night, which enabled them to combat the humans, who are less able than the supernatural beasts when it comes to hiding their monstrous nature? Where do the real monsters dwell , among those who have no choice and do what they can to keep their animal natures under control, readily admitting to their faults, or in those who hide it behind a thin mask of civility and grotesque mockeries of humanity, unwilling to accept the mantel of responsibility for their actions?

This story picks up shortly after the events which unfolded in Fair Game, and I think it is a marvellous addition to the existing Mercy tales. It serves as a return to the concerns raised in the first Mercy novel, Moon Called, while still carrying the momentum which has built through the series, driving it to pursue a deeper development on the tenuous line between what it means to be a monster and what it means to be part of society.  Her attention to political and social upheaval, and the alienation of others based solely on the concept of ‘other’, sheds a poignant comment on the way in which modern society divides itself.

Once again, I simply could not seem to put this one down until I had completely finished reading it. I have come to expect a great deal from Patricia Briggs when it comes to style and quality of writing, and she once again delivers what she promises. The connection to the characters we have come to know is deepened with each encounter, and new understandings begin to emerge when old friends and enemies are re-examined. I have had some people tell me that they have problems with the repetitive ‘kidnapping’, yet each time it has come up (which I will admit is a few) it has not hindered the progress, but rather displayed that the affected characters have grown, and how their past experiences have shaped them. Writers would not return to tropes if it did not serve a purpose, and readers would not continue to follow if they felt that nothing was gained by the return. This is by no means a series wherein the reader is constantly forced to read the tried-and-true ‘damsel in distress’ tale; Briggs does not present the reader with any damsels, her characters are all strong in their own ways, which makes it highly pleasing to read. If anything, the return to the kidnapping theme reflects how the non-preternatual (perhaps a better term would be ‘mundane’) community has grown to become set in its ways for handling all things which it does not understand, or actively refuses to understand.

Without a doubt I can say that I will continue to read the Mercy Thompson series as long as Briggs is able to publish them, provided that her ability to craft characters, relationships, and interesting fantastical elements remains as elevated as it has. In all honest, I always find something new which intrigues me; a small detail about the Fae, the attention to the hierarchy among the vampires and the werewolves, and I am wound right back into a state of wonder at her ability to convey so much in such a short span of pages. Of all the names in urban fantasy, I know that if I am looking to truly enjoy a book filled with interesting character and well written story I will look to Briggs.

Patricia Briggs Official Website

Moon Called (Mercy Thompson #1)

Blood Bound (Mercy Thompson #2)

Iron Kissed (Mercy Thompson #3)

Bone Crossed (Mercy Thompson #4)

Silver Borne (Mercy Thompson #5)

River Marked (Mercy Thompson #6)

Frost Burned (Mercy Thompson #7)

Home Coming (Mercy Thompson Graphic novel)

Moon Called #1 (Trade Paperback graphic novel edition)

Moon Called #2 (Trade Paperback graphic novel edition)

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Silencing the Ghosts: Review of Fair Game by Patricia Briggs (Spoiler free)

Fair Game (Alpha and Omega #3)

Author: Patricia Briggs

Fair Game by Patricia Briggs, 2012 Ace Fantasy

Fair Game by Patricia Briggs, 2012 Ace Fantasy

Publisher: Ace Fantasy

Year: 2012 (hardcover) 2013 (paperback)

Pages: 280

Rating: 5 our of 5

Book Cover Summary:  It is said that opposites attract. And in the case of werewolves Anne Latham and Charles Cornick, they mate. The son – and enforcer – of the leader of the North American werewolves, Charles is a dominant Alpha. While Anna, an Omega, has the rare ability to calm others of her kind.

When the FBI requests the pack’s help on a local serial-killer case, Charles and Anna are sent to Boston to join the investigation. It soon becomes clear that someone is targeting preternatural. And now Anna and Charles have put themselves right in the killer’s sights . . .

Review

I have to admit that I have been a fan of Briggs since I first picked up Moon Called, the first entry of her Mercy Thompson series, quite a few years ago on a random bookstore excursion. This return to the Alpha and Omega side of her writing is fabulous, and her strengths really shine through. I cannot gush enough about how much I enjoy reading Patricia Briggs’ urban fantasy, it is always a treat when one is released, and once I start reading I simply cannot put it down until I have turned the last page.

I have always felt that Charles was a bit of an odd duck in a pond of geese, but Anna really balances him out. However, Briggs is very attentive to the way in which she has constructed her werewolves, weaving them with equal parts ferocity, vigilance, and depth (well, for those who have survived this long). This story begins in a very difficult place, and asks the most vital question: What is more important, duty or love?

It is interesting to see the mundane twist Briggs has put on the antagonistic force in this particular entry in the series, but it is very refreshing and keeps me convinced that her skill is much more than just being able to write amazing characters who you either love to love, hate to love, or love to hate. By casting an unknown force of evil as being one which preys on the predators and prey species alike, there is a much darker cast about this book. The internal struggle which Charles faces with his own ghosts adds another dimension of tension to this book, and is spectacularly highlighted. With a man/animal as old as Charles and Brother Wolf, there is always the question of stability, especially when it comes to such a complex mate like Anna, the only one who is able to quiet the roaring beast within all who she is around.

Briggs is masterful in crafting the minutia of personal relationships, and this book steps it up another notch to a place that Briggs very rarely has gone before with her current urban fantasy series. Within the desolation and disquiet of the manhunt, the moments when individuals truly connect and understand each other, such as Agent Leslie Fisher and Beauclaire, Bran and Asil, and of course Charles and Anna, are so well crafted and the emotion so palpable that it gives the reader very little choice but to connect to the characters in a very human way. I mark this as the sign of a superb writer.

The Alpha and Omega series itself has been an interesting bit to navigate; while it is set in the same world as Marcy Thompson, our favourite shape-shifting mechanic-by-day cum coyote, and events from both series have an over arching impact, there is something decided special about the moments that readers get to share with figures like Anna and Charles. Both are spearheads in the realm of the werewolf, neither completely traditional nor completely new.

As with her inclusion of the Fae and vampires, Briggs has carved out a niche for her characters they sets them apart from the mass-produced and overhyped genre of urban fantasy. While they are highly recognizable as the tropic werewolves (called by the moon, massive, deadly, tempered), Anna lends a voice to the madness which serves to prove The Marrocks’ spin-doctoring of the reality of werewolves is not all false. Briggs creates a clear difference between what is animal and what is evil; the monster hidden by the human skin is something unnatural and evil when it is completely hidden behind the eyes of a man. The beast that looks out from the eyes of a werewolf, on the other hand, plays by a set of rules which has governed the Earth since time immemorial. While it is not a puppy to be played with, neither is it a beast to be put down when it is acting in accordance with nature, when it is only surviving. The same cannot be said about the beasts and monsters that are human, through and through.

If you like well written fiction, want to be enthralled to the point of being unable to put the book down for even a second, or have been sitting on the fence about picking this one up, I suggest you pick it up in whatever form best suits your reading preference. It falls just between River Marked and Frost Burned on the Mercy side of things, and some of the events echo over. If you are just looking to get in to a new series, this one starts with a short novella in an anthology, and the links to the Amazon page for all are listed below. If this type of stuff peaks your interest, I also suggest you pick up the Mercy Thompson series by Patricia Briggs, starting with Moon Called. A review of the latest entry in that series, Frost Burned (Mercy Thompson #7) will be following in the next few days.

If you are more of a graphic novel fan, there is also a one already release and another forthcoming hardcover edition coming of Alpha and Omega, which looks to be spectacular.

Patricia Briggs Official Website

Alpha and Omega (Novella)

Cry Wolf (Alpha and Omega #1)

Hunting Ground (Alpha and Omega #2)

Fair Game (Alpha and Omega #3)

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Magic and Chaos come alive again: Review of Hounded by Kevin Hearne (Spoilers Free)

Hounded (The Iron Druid Chronicles #1)   

Hounded by Kevin Hearne 2011 Del Ray Books

Hounded by Kevin Hearne 2011 Del Ray Books

Author: Kevin Hearne

Publisher: Ballantine Books Del Ray

Year: 2011

Pages: 289

Rating: 4 ½ out of 5

Del Ray Summary: Atticus O’Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His Neighbours and customers think that this handsome, tattooed Irish dude is about twenty-one years old – when in actuality, he’s twenty-one centuries old. Not to mention: He draws power from the earth, possessed a sharp wit, and wields an even sharper magical sword known as Fragarach, the Answerer.

Unfortunately, a very angry Celtic god wants that sword, and he’d hounded Atticus for centuries. Now the determined deity has tracked him down, and Atticus will need all his power – plus the help of a seductive goddess of death, his vampire and werewolf team of attorneys, a sexy bartender possessed by a Hindu witch, and some old-fashioned luck of the Irish – to kick some Celtic arse and deliver himself from evil.

REVIEW

                    Let me simply say this before going any further: if you want to enjoy reading something simply because it is a fun read, I highly recommend you pick up this series. I have become picky with modern-day fantasy simply because there is far too much of it and, to add salt to the wound, quite a bit of it is repetitive and not worth the paper or data space it takes up. This was a welcome breath of fresh air in a desert filled with bones and dead horses which had been beaten far too much. I enjoyed every page, and devoured all subsequent releases by this author, even the short stories and novellas released between full length novels.

Our first romp into the world of Atticus O’Sullivan, Last Surviving Druid, is an absolute blast. It is equal parts action/adventure and comedy/introspective reflection. Chased for centuries by an angry Aengus Og (Aengus the Young, a Celtic god of Love), Atticus’ past has finally caught up to him in Modern Day Arizona. Between the comedic quips and exchanged between Atticus and his Irish wolfhound Oberon, the dire presence of Flidias, Goddess of the hunt, the Morrigan, Chooser of the Slain, and Brighid, the first among the Fae and the leader of the Irish Pantheon, and the bubbling sexual tension between Atticus and local bar-maid, Granuiale, Kevin Hearne has woven together a great tale for his readers. In a world were vampires and werewolves run Law Firms, suspicious neighbours call the cops of a regular basis, and immortal/deific figures visit on a whim, Atticus is sure to provide some great moments for fans of urban fantasy, mythology, and well written fiction. Atticus is unique, and I have not found a hero like him in prior reading; even Harry Dresden would have a difficult time holding his own against our flame-haired, sword wielding, shape-shifting, quick-witted druid.

I have always been a pursuer of myths, a repository of Ancient facts, and a bit of a nerd about it. When the advent of the internet was just getting past the age of Dial-up connections, the younger version of myself was busy searching sites for all the myth she could get her hands on. Needless to say, influenced by Xena, I spent most of my time embroiled in the world of the Greek and Roman pantheon, and my later studies expanded my knowledge into the realms of Buddhist and Japanese mythology. This book re-ignited my passion in the same way Rick Riordan’s Percy Jackson and the Olympians had done, thought with a markedly more mature spin (let’s see how Disney Hyperion reacts to horny hound dogs with poodle fixations, and Ancient goddesses’ who can call it a good day if they get the chance to thoroughly bed a man who could very well be the most hated mortal among all world pantheons). Atticus’ wit often gets him into trouble, as with great age apparently comes the inability to hold his tongue to any extent; Atticus is equal parts comedian and deep philosopher, and this lends very well to creating a figure with which the reader can not only connect, but support and sympathize with. Despite being centuries old, he is still just a man, and liable to commit to mistakes despite knowing better.

Hearne’s writing style is addictive; like Patricia Briggs and Jim Butcher he knows how to balance the realms of fantasy and modernity, while still creating something absolutely fascinating. I ate through this book in all of 12 hours, and promptly went out to grab the next two which, to my luck and benefit, were already released. If you are looking for a good read that will keep you engaged. I especially enjoyed the way in which Hearne has thought to weave together the preternatural and supernatural in his tales, beginning the foundation of a wide-stretching tale which is not limited in scope to the gods and goddesses, heroes and monsters with which we are accustomed. There is a strong Irish flavour, but the basis of immortal or deific existence being based on how much attention their tales receive from mortals creates a canvas which will stretch far beyond those figures we have come to see time and again.

For more information visit Kevin Hearne’s official site

More reviews to follow for subsequent entries in the series: Next up Hexed by Kevin Hearne

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Update: The Quick and the Dirty

After a rushed last few weeks of term I can safely say that I am back among the normal (which is a rather subjective concept, if you ask me) and the living. I have taken a couple of days of relaxation to recharge my proverbial batteries, and as such will be coming flying back at you with some book reviews in the coming days. I have quite a few pieces that I want to catch up on in the coming days, and ideas that bubble away in my mind while I finished off my own work and graded/evaluated the work of others. Keep your eyes peeled (not literally, that could get horribly gruesome, and be very painful for you).

 

 

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Winter Reverie

Image

M. Negrych, 2012

Personally, I have always had a soft spot for Winter. The snow doesn’t bother me, the cold is refreshing, and even the darkness is comforting. Of course, that isn’t to say that I am exempt from the frustration the comes when Winter overstays its welcome. Where I live we have officially surpassed the record for snowfall- my backyard is so full of snow that I have no place left to put what I shovel off the deck and walkway. However, if it were not for the mini-blizzard occurring at the moment, I would be pulling on my warm clothes, leaving all my work behind, and building a snow-fort to rival any box and pillow Fort Kick Ass ever constructed.

It is going to make driving on the side streets difficult, but coming from the prairies in the middle of Canada, driving has always been a practice of extreme caution for me; I stand by the fact that even in our cities we have some of the worst drivers to ever sit behind a wheel, of all ages.

So while the wind blows the excessive snowfall around, making March into a new Winter Wonderland, I am going to warm my cup of coffee, pick up my books and highlighters, and get as much work done as possible. I am going to do this in hopes that, when the wind stops, I can bundle up and get my ass out in the snow and have some good old fashioned fun.

Winter Haiku;

Outside the flakes fall

My breath frosts over the air;

Wonderful Winter.

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A short poetry exploration in 5 unconnected verses

After attending a poetry reading last night, I could not help but compose a few short verses. Aside from the nights’ frivolity, and the improv which occurred for no reason other than the muse struck and the company was good, there was a seriousness to the craft which I observed last night, a seriousness which I have not seen in poetry for quite some time. For me poetry has always been a spur of the moment engagement; it was never planned, and when it was forced it always seemed to fall short. My hand is only amateur, but that’s were everyone must begin.

 

To shake the sweet bonds of starlight’s embrace;

Holding fast to the vestiges of time.

the phantom warmth dissipates.

How can morning come at such  a price?

The misty Sunday morning

Spurns the breath from out my lungs.

Even when observes from warmth

Its cold beauty haunts the eyes.

You are the Orphic rhapsody

Modified, from joy to despair.

You are the brightest star,

Lighting the path to Elysium.

The light of dawn reflects brightly

Upon the silence Archer in the field.

To be his quarry , a true ambition;

For no had is as skilled as his.

Though the day closes

I feel not the press of time.

My dreams will be reward enough,

Locked in tender Morpheus’ embrace.

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Veil of Shadows (A work in progress)

I have been researching and writing academically rather exclusively this week, yet I felt that it would set a bad precedent for dedication to my blog if I did not create a post of some substance this week. What I present in the following short paragraphs is a work-in-progress, something that I wrote on an urge and the beginnings of an idea. As such, it is not fully realized yet, and the idea and plot are still in their infancy. If a story could have an explanatory preamble to shape it, this would be it. I encourage feedback, as this is a little bit different then my previous posts, as it is not a fully thought story nor an analytical reflection or insight. Likely, until I am finished the current research paper I am writing, I will post snippets of my writing in progress or poetry. In addition, I have another conference coming up next weekend. After those dates I hope to have another reflective piece up, it is already partially formulated but in dire need of flesh for its bones.

Veil of Shadows

There are things in the dark. It is generally laughed at past childhood, but it is still true. In the corners filled with shadows everything exists simultaneously; from the smallest sigh to the largest nightmare, here they can be found. Even those things which we are no longer afraid of. I was eight when I stopped believing in the things that go bump in the night. I was fifteen when I went to New Orleans and left my mark on the Tomb of the Bayou Queen, as a joke. When I was twenty-one I started to believe in those moving shadows once more. Those shadows have more physical presence than any other being in reality.

The first time I began to question the existence of ghosts and the supernatural was after I had turned nineteen; this was also the time that my father died of lymphoma. Sitting there, in the hospital room next to the shell of a man who I hardly recognized, I began to see the shadows of the world again. Maybe it was punishment for so foolishly calling on the Bayou Queen; after all, what woman, even one long dead, would want to inflict such suffering on a child? That night, as my fathers breathing grew shallow, and the pall of death overshadowed the room, I saw them.

At first I was convinced that they were just hallucinations, brought on by the stress and grief I was experiencing for the first time in my life; but as the hours passed, they grew more solid. My mother didn’t notice them, climbing over his body, their long fingers running over his smooth scalp, pulling at the paper-thin skin covering nothing more than bone. I could only sit and watch as they shifted from wisps of shadow to full formed beings, sitting on his chest and making it more difficult for him to breathe. They paid the rest of us no attention, probably because we were not the reason for their foray into the physical realm. The more solid they grew the more my father’s vitals faded, until he was nothing but a lifeless shadow and they were finished with their task.

From that point on, I saw the world differently. The Bayou Queen has rewarded my foolish wish, giving me the ability to see those things that would rather keep themselves hidden. I could see perfectly, without need of the glasses I had detested as a child, but sometimes I saw far too much. In every shadow there were hands, in each secretive face a sinister shifting of skin. I could see everyone for who they truly were.

After my father’s funeral I moved away from home; my mother was inconsolable, and I couldn’t take it on top of learning to deal with this new, unwanted facet of my life. So I packed my bags and transferred out-of-state, out of country even. But even then, the shadows followed me. They sought me out, in acknowledging my own ability to see them, they began to see me in turn. Sometimes I was only there to be an ear to the voices in the night, to hear what held them to the coils of the human realm, what they had desired, or how they had come to be. Other times, well those could get to be much less pleasant than hearing about the fires of creation and the monsters that one only thinks of as being part of children’s fantasy.

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