Category Archives: Last Thursday Review

Last Thursday Review: Silence Fallen and Etched in Bone

So this month is a little special, in that I will be tackling two novels for review. Am I feeling a bit guilty for only reviewing a 40 page graphic novel last month, and trying to make up for that? Nope. I just happened to be lucky enough to have two novels  was waiting for come out on exactly the same day. It was like finding that health vile hidden in the corner of the room when you were just 1 HP away from “Game Over” when you saved the file for hours. So this month I will be presenting Silence Fallen by Patricia Briggs, and Etched in Bone by Anne Bishop. Two sides of a similar coin when it comes to alternate modern world fiction.

As always, I will preface the review with a mild spoiler warning; I will do my very best to keep the juicy bits of the story under wraps, and I will try to avoid speaking too much about plot. If you are like me and enjoy jumping blindly into the rad and letting the twists and turns take you where they will, hopefully this will give you a sense of what you are in for without giving away anything much. If you want to be cautious and save absolutely everything but what you read on the book jacket for your own discovery, I won’t be hurt if you stop reading right this instant, just keep me in mind and come back after you’ve read the book (We could have a tete-a-tete about the finer points, I am absolutely certain.)

SILENCE FALLEN by PATRICIA BRIGGS (4.5 out of 5)

Silence Fallen is the 10th instalment in the Mercedes Thompson Series by Patricia Briggs, an epic bard of the urban fantasy genre. We have followed Mercedes, our Mercy, through thick and thin. From the military abductions and experimentation, to the vest uncertainty that is Underhill, she has led us on quite a journey. This time, we see Mercy further from home than we’ve ever seen her. Patricia’s delving into the actual past in this story, into the Old World of Europe and the even older things that inhabit it, reminds me a bit of the whimsy created by Kevin Hearne in The Iron Druid Chronicles, when Atticus ventures through Europe (thinking specifically the sort of romantic atmosphere he created when he spoke of the Polish Witch Coven).

Briggs’ approach to this novel is quite interesting; as always we read Mercy in her own voice, experience everything through her eyes. However, in order to tell the diverging stories, this time she also had to split her party. While we do not experience the story as Adam in the “I” voice, we still decidedly see what he experiences through his eyes, though somewhat less reliably than Mercy. This has to do with the of first person for Mercy, while staying with third person when speaking of Adam and his entourage.

Briggs had taken us through the gamut of the creatures in her world; we’ve been inside the wolf pack, as well as outside of it, with and against the Fae and the Grey Lords, and surrounded by Vampires (Who honestly play the longest game ever, no one ever really seems to be able to determine which side they will fall on, just that it had best benefit them). This time, after the events in Fire Touched, we finally see  a larger united front, a true ‘adventuring party’, where a little bit of everything comes together. The Fae are relegated to a less central role in this story. This could have either been a conscious choice, as the last novel focused so strongly on them, or a side effect of moving the story to Europe, which Briggs has established, since the beginning of the story, as a place that is virtually void of Fae, since the creation of Cold iron and the need to hide the magic.

As far as Silence Fallen goes, I feel that it delivers exactly what I have come to expect from a Mercy novel, with the same sort of addictive quality that makes Briggs’ books so difficult to put down once you start reading. She does this all while introducing us to a new host of characters. We meet some of Europe’s movers and shakers, people that Bran left behind when he came to the new world. Libor  and the Vltava Pack in Prague, Bonarata and the Vampires of Italy, and some very interesting ghosts, just to name a few. As always, Mercy manages to stumble into more trouble than initially would have come her way, all while mostly being able to take care of herself . We also see the return of one of my favourite small characters, Elizaveta, the Russian Witch. Honestly, I would absolutely love it if Briggs gave us a book just about the live and experiences of Elizaveta. She is a little bit grandmother like, but also steel and unforgiving power. If Briggs had not already brought us the Baba Yaga before, I would almost be strongly inclined to think Elizaveta was hiding something else.

There were a few points of minor confusion, either because I missed some tiny clue or a switch occurred that wasn’t entirely explained. After it happened it did make me look back over the previous passages to see if I could spot what it was, but I was still unable to put my finger on the reality of it. I won’t speak to much more on that point though, because I don’t want to venture too far into speaking of plot points.

So, overall, Silence Fallen earns a very strong 4.5 Stars from me. Maybe I am biased, in that I have read this series since the initial release, and wait on the edge of my seat for a new addition to the series (Sometimes with barely contained glee and excitement when the preview chapter goes up online). It’s release also came at a hard time, as the author unexpectedly lost her husband just weeks before the release. So it may be some time before we return to Mercy, the werewolves, and our other ‘friends who may or may not like to eat us’, but I will wait patiently for that day.

ETCHED IN BONE by ANNE BISHOP (3.5 out of 5)

Coming off the excitement that was Visions in Silver, Etched in Bone left me a little wanting for content. Where Visions in Silver felt like a massive leaping point for change, Etched in Bone felt  a bit lacking, a lull in an otherwise usually very exciting world. As the 5th book in the series, it may just be that the author is trying to tie up some ends, to give the reader bits and pieces more on things she had hinted at before.

As far as the story goes, it seems to drag a little bit in this book. There is some stagnation, and some contrived “thriller” elements that are somewhat predictable. I have really enjoyed this world before, and was excited to see where it was going, especially after the world remembered what threat was right outside their doors, that didn’t really need them to survive. Our larger world had shrunk down to basically just the courtyard and a few other areas. For a novel series that held a strong, wanting to be independent character at its centre, we actually spend fairly little time with Meg this time around, and even less time in the Liaison office. Was this sacrificed in order to create the tension between members of the human pack, so that the Others and the Elders could see small-scale power struggles instead of just large-scale events? Either way, there is a decided lack of threat and colour in this one. The baddie is exactly who you expect, and he does exactly what you expect. Bishop may even go slightly too far in order to paint him like a stereotypical baddie, lacking the subtlety that would have worked to help emphasise the ease with which a human can compromise the herd for the benefit of the self.

Meg and Simon are exactly as you would expect, and Bishop does not elevate the level of sexual tension between them, though there is a decided focus on their relationship (As there has been from the beginning); all in all, the characters are just as they have been, perhaps with a little bit more struggle on Meg’s part, and a little bit more confusion on Simon’s. Perhaps we even spent more time with the fully human element than ever before, as they try to deal with the lack of a face for the Humans First Movement, while still suffering and dealing with the consequences wrought back those actions. It is like they are walking a line, somewhere between cohabitation and beneficial relationships, and everything just falling apart, back to how it was before. We do see a decided return to the “Other” portion of the others, as they try to deal with things in ways that even they are unaccustomed to (Focused on a single target threat, rather than a whole score of adversaries).

In my opinion, the real moment of true build up also fell a little flat, or maybe, just a little too ‘human’? The anticipation and build up did not lead the expected impact, and it felt perhaps just a little rushed for what it was.

Possibly the greatest piece of growth in the whole story comes from Skippy, as he pushes to be part of the group despite his difficulties. In this, we also get a closer look at Ms Twyla, Crispin Montgomery’s mother, who turns out to seem much more wolf mother anything else, as she somehow seems to hold the fort and make the stands where others are unable to (At times, it even seems like she outranks Simon). Personally, I was moved by Skippy’s advancement as a character, maybe because his innocence reminds me of that innocence that was so integral in Sam, when Meg first worked him out of his shell.

As much as it pains me to say it, this may be the logical point to end the series, as I cannot see another crescendo to large action, and what follows might just be too close a resemblance to wish fulfilment and fan fiction, unless this was just a piece that was necessary to bridge one larger event to another, in which case it may have served just to tie some ends together for the readers before launching them towards something new in the world. The biggest threats within the human world have largely been dealt with (though Bishop keeps hinting at another larger threat coming to the Blood Prophets, there was only a very small build toward it in this instalment).

Over all, I would give Anne Bishop’s Etched in Bone a 3.5 out of 5. I can’t say that I enjoyed it as much as the first 4 novels in this series, and most certainly not as much as Silence Fallen, but I can’t deny the fact that I still had trouble putting it down, as I read it in hopes that something grand would happen. If this was not the end of the series, I hope that the next novel is a massively moving piece of fiction, willed with the tension and excitement that the series started out with. 

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Last Thursday Review: Locke & Key Small World

SPOILER WARNING: Be mindful, there may be spoilers here. Turn back if you are as eager to read this graphic novel without and poor knowledge of the content,

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Locke & Key by Joe Hill and Gabriel Rodriguez

When I first stumbled on Joe Hill and Gabriel Rodriguez’s Locke & Key in my local comic store, I wasn’t sure what to think, aside from the fact that the first couple of pages were interesting enough to warrant that I would spend my hard-earned money on it. At the time, going to school full-time for an undergraduate degree and working in a video store, I was rather tight about how I spent my little bit of cash.

But that day, I went home with a winner that would quite literally become one of the few collections that I was hooked on enough, at the time, to go out and buy immediately, no matter what was in my bank account or where I was working.

Now, in 2017, Hill and Rodriquez have tempted those who fell in love with the twisted history of Key House and Lovecraft, with another shiny hardcover, Locke and Key: Small World. As far as size goes, this column does feel quite short, clocking in at under 25 pages of comic. So, rather than a full size story, the reader is greater with what feels like a single issue of a comic, sweetened with a few extras (art, original script, adaptation views, and interviews). All in all, it barely sates the appetite for new content that fans of the series (such as myself) have been craving since the end of the original series. However, in the contained interview, Hill and Rodriguez promise that there are more stories to come entering around these characters, Key House, and Lovecraft. So far, this seems limited to some short stories and collections, with the speculation of another six arc story (no commitment to that as of yet, it seems to just be an idea.) They also promise that the long-awaited television series with IDW Entertainment is still on the table.

The story itself is currently self-contained, taking you through a single experience by some of the Locke ancestors. The art, as always, is beautifully rendered, the detail excellent and the colour vivid.

Despite this, I found that the story itself was somewhat lacking. As a current ‘stand alone’ tale, Small World is just that, small. Where previously readers were drawn in to Bode, Tyler, and Kinsey, and thrown right into the darkness within the first 5 pages of Welcome to LovecraftSmall World does not seem to lend itself to the same connection of character to reader. The Locke children seem quite cookie cutter. It seems as if a bit of connection was sacrificed in order to keep the story short and sweet. They are mapped on the page with care, but there seems to be pieces missing where the reader is supposed to feel for them. Each is most definitely individual, but aside from the stereotypical archetypes (the little lady, the trouble maker, the sage, and the fighter), there wasn’t much that seemed to make them a part of Locke and Key save for the fact that they are cast as part of the long line of Lockes to live in Keyhouse. At times, aside from the name and a double page decimated to introducing the readers to the new (or older) Locke family, it seems as if it could have been anyone waltzing across the page in the rolls.

The story, as said earlier, is linear. There are no flash backs, no flash forwards, and the whole tale seems to take place over perhaps the entirety of 3 hours, with very little fanfare, and even less exploitation of the previous dark atmosphere created by Hill and Rodriguez. The threat is quite mundane, only made a threat by the mishandling of a key. There is very little anxiety created by the monster that shows up, and the end is abrupt (though personally, I definitely grinned just a bit, because it was totally something that felt in tune with the level of threat created). Maybe this is because the family is not dealing , or has not yet dealt, with the true nature and breadth of what lies buried under Keyhouse, and as such the level of threat cannot reasonably be presented on the same scale.

There is one bit of the story that did have me perplexed, and that had to do with the previously established idea that one someone grows up in Keyhouse, they forget the magic of the keys, because the adult mind simply can’t handle what those keys mean. In this volume, three adults, all Locke’s, actively and knowingly engage in episodes with they key items. We know that Randell Locke, and even Ellie Whedon, forgot about the keys once they became adults (Ellie being a bit of an exception later on, as we learn that she has been manipulated). However, in this short story, not only do the adults know about the keys, but one actively created a new key as a ‘birthday present’ to teach his daughter how to manage a house, but another actively utilizes the Shadow Crown to tell stories. Now, there could be a reason for that, but I felt that the establishment that only the young could understand, use, and see the power of the keys was an integral part of those whole story, and that going back on it seems a little heavy-handed for such a finely crafted story.

All in all, Locke and Key Small World was a decent return to the world that Hill and Rodriguez built, and it could be a promising connection to another series in that same world. However, it does have its pitfalls. Value wise, it seemed a bit much to through such a small story into hardcover. I know it has been done before, but it seems like they are leaving the world and the story out there to float on its own, without any truly secure mooring. The beauty of the art fills in where the story falls flat, but there are holes that were overlooked. I hope that when Hill and Rodriguez return again to this generation of Locke’s, they will be able to bring back more of the thrill and imagination that existed in the original series.

3.5/5 for me, all things considered. Still feels right to have in on the shelf next to the other hardcover editions of the series. but, for something that was announced with a fair bit of hype in June 2016, it seems fairly scanty on the delivery.

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